It’s summer, Louis and Paul are on holiday in a bourgeois chateau in the depths of the countryside. It is hot, the house is empty, and the lovers are alone. To pass the time, they make love, play tennis, go for walks, sleep, at night and sometimes during the day. But the couple is in crisis. Louis feels rejected, while Paul is becoming increasingly distant. Louis takes refuge in his dreams, which shift between desire and repulsion, longing and destruction, hope and paranoia.

It’s summer, Louis and Paul are on holiday in a bourgeois chateau in the depths of the countryside. It is hot, the house is empty, and the lovers are alone. To pass the time, they make love, play tennis, go for walks, sleep, at night and sometimes during the day. But the couple is in crisis. Louis feels rejected, while Paul is becoming increasingly distant. Louis takes refuge in his dreams, which shift between desire and repulsion, longing and destruction, hope and paranoia.

Crumb director Terry Zwigoff’s first film is a true treat: a documentary about the obscure country blues musician and idiosyncratic visual artist Howard “Louie Bluie” Armstrong, member of the last known black string band in America. As beguiling a raconteur as he is a performer, Louie makes for a wildly entertaining movie subject, and Zwigoff honors him with an unsentimental but endlessly affectionate tribute. Full of infectious music and comedy, Louie Bluie is a humane evocation of the kind of pop-cultural marginalia that Zwigoff would continue to excavate in the coming years.

Crumb director Terry Zwigoff’s first film is a true treat: a documentary about the obscure country blues musician and idiosyncratic visual artist Howard “Louie Bluie” Armstrong, member of the last known black string band in America. As beguiling a raconteur as he is a performer, Louie makes for a wildly entertaining movie subject, and Zwigoff honors him with an unsentimental but endlessly affectionate tribute. Full of infectious music and comedy, Louie Bluie is a humane evocation of the kind of pop-cultural marginalia that Zwigoff would continue to excavate in the coming years.

每个年代的同志，各自在平权道上留下过不同的足迹。世代交替，曾经为同志平权奋身力争过的同志，付出过的努力，又会否给新一代珍惜？森美曾是同志团体 ACT UP 的成员，走过爱滋病肆虐的年代，到今日仍被倖存者的内疚折腾。他不能明白年青一代对性别政治的漠不关心，以及无忧无虑的性爱生活。一次，他在一间酒吧邂逅年轻的白兰顿，二人火速搭上，森美的创作灵感得以重燃，受伤的内心更开始慢慢疗愈。

每个年代的同志，各自在平权道上留下过不同的足迹。世代交替，曾经为同志平权奋身力争过的同志，付出过的努力，又会否给新一代珍惜？森美曾是同志团体 ACT UP 的成员，走过爱滋病肆虐的年代，到今日仍被倖存者的内疚折腾。他不能明白年青一代对性别政治的漠不关心，以及无忧无虑的性爱生活。一次，他在一间酒吧邂逅年轻的白兰顿，二人火速搭上，森美的创作灵感得以重燃，受伤的内心更开始慢慢疗愈。

此片主要描述了古怪蓝调音乐家及艺术家霍华德·阿姆斯特朗的艺术生活。

《阿康的事》是7位中国新生代导演共同参与的发现公益·红计划（2016）公益短片中的一部，所关注的主题是“网络暴力”。 　　康为中学教师，传言其不肯捐肝给患肝衰竭的母亲而饱受舆论指责，随后母亲自杀，康背负各方质疑回到母亲家，而真相是。。。